Don’t Sell Yourself Short: An Interview with One-Eyed Doll, 10/4/15

by Jim Clegg Austin metal/punk duo One-Eyed Doll is in the middle of a tour supporting their new release Witches, a concept album based on the hysteria of the Salem Witch Trials.  Singer and guitarist Kimberly Freeman (who’s been featured as Revolver Magazine’s Hottest Chick in Hard Rock in 2011 and 2012) and drummer/producer Jason “Junior”… Continue reading Don’t Sell Yourself Short: An Interview with One-Eyed Doll, 10/4/15

Slow Burn/Fast Burn: A Review of Clutch’s Psychic Warfare (Weathermaker)

Once again, Clutch reminds people why they are one of the best rock bands on the planet. Psychic Warfare is another corker of an album from a band that has released many corkers over the course of their career. Psychic Warfare finds the band in full-on rock mode, continuing down the path they set with… Continue reading Slow Burn/Fast Burn: A Review of Clutch’s Psychic Warfare (Weathermaker)

Album Review: The Black Dahlia Murder’s Abysmal (Metal Blade)

With new releases from Between the Buried and Me and Cattle Decapitation, 2015 has been quite a stellar year for Metal Blade Records. As the final months of the year roll around, The Black Dahlia Murder returns to the frontline with Abysmal to round out the impressive Metal Blade catalog. Beginning with 2011’s opus, Ritual,… Continue reading Album Review: The Black Dahlia Murder’s Abysmal (Metal Blade)

When All You’ve Got is a Hammer: A Review of Bedroom Rehab Corporation’s Fortunate Some

Bedroom Rehab Corporation -- photo by Sheree Sirpenski Photography.

This eastern Connecticut band knows a thing or two about using your tools in every way possible.  The doom rock duo, comprised of Adam Wujtewicz on bass and vocals and Meghan Killimade on drums, will put out their EP Fortunate Some on October 3, 2015.  Their second official studio release, these four songs represent Bedroom… Continue reading When All You’ve Got is a Hammer: A Review of Bedroom Rehab Corporation’s Fortunate Some

Worshipful Music: A Review of Ghost’s Meliora

Say what you want about Ghost, but they remain one of modern music’s most unique acts. Their clerical stage presence, anonymity, campy Satanic image, and pop sensibility is something entirely new to the heavy metal genre, even if the music is a complete throwback in many ways. But when dealing with a consumer’s acceptance, it’s… Continue reading Worshipful Music: A Review of Ghost’s Meliora

Black Breath’s Slaves Beyond Death: The Epitome of Death-n-Roll

After indulging in the more hardcore side of their pedal-abusing sound on their last album Sentenced To Life, Seattle’s favorite sons of darkness have decided to slow things down a bit and play some good old-fashioned fetid death metal. We’re talking the type made popular by bands from Sweden such as Entombed and Dismember. There has… Continue reading Black Breath’s Slaves Beyond Death: The Epitome of Death-n-Roll

Tempted by Your Cunning Voice: A Review of Mile Marker Zero’s Young Rust

Comprised of former Western Connecticut State University music students, Mile Marker Zero puts their education to good use on Young Rust.  The April 2014 EP is multi-faceted without pretension, complex without sacrificing catchiness. The short album vacillates between moods, from spacey and romantic on “Bound” to forceful on “Toughest Love.” Much to my relief, the… Continue reading Tempted by Your Cunning Voice: A Review of Mile Marker Zero’s Young Rust